8.30.2009

Of The Ocean

Of The Ocean

begin- a shallow
teardrop
sinks filling
the tongue

This diptych of paintings is an experiment for crossing the boundaries of my poetry and visual art.
click for more detail, working on improving the top image

5.18.2009

V-Project

(The concept behind the 5 paintings below)

V-Project: I am making an effort to reclaim the lost territory of connection and continuity in the chronology of historical discourse. The components I created are unsentimental symbols of vaginas—not meant to be essentialist or reductive, but imaging a part of the body hidden, yet not sealed off from the external world; they are passageways—not fixed points—connecting the inside with the outside, binding one being to another in complicated ways. They are portraits, memoir, autobiography, documentary, fictions.

Systems are an overt and underlying theme in my recent work: the grid, repetition, units, layers, time; concepts of closed systems where nothing can get in or out and open systems where there is permeability. Patterns: of society, politics, aesthetics, science, disciplines, people. “How do you anticipate a future you haven’t experienced?” was a question that arose from trying to understand the multiple systems converging into the current economic crisis and the people affected; with the abstraction of statistics, we don’t comprehend the meaning of the data, the context, the realities of the actual people represented by numbers, formulas, and equations. This study segued into my “vagina” project— gender based crimes of war and domestic violence.

2.07.2009

37 Main Street  Narrowsburg, New York 12764

LISA STRIER

“ART OBJECTS”

MIXED MEDIUMS

 

FEBRUARY 21 – MARCH 14

OPENING RECEPTION

SATURDAY 2.21.09

 

2-4pm

http://www.artsalliancesite.org/programs/gallery.html

1.23.2009

Homewrecker

The Edge of One of Many Circles

Title excerpted from Wallace Steven's poem Thirteen Ways of Looking at a Blackbird

11.02.2008

Silence, Exile and Cunning



The Sweet Hell Within, The Unknown Want


 


Title excerpted from Walt Whitman's poem — Out of the Cradle, Endlessly Rocking

A Small Part of the Pantomime







Title excerpted from Wallace Stevens's poem Thirteen Ways of Looking at a Blackbird




9.21.2008

From The Remembrance, The Desire



This painting inspired by:

Long night: unable to sleep

The moonlight, how breakingly bright.

Callling, someone seems calling.

Into the empty air, I answer “Yes?”

—Anonymous (#4 of the Zi Yi series), translated by Wai-Lim Yip

The Joyous Is The Lake. The Clinging Is Fire.

Full Title:
The Joyous Is The Lake. It Means Dropping Off and Bursting Open. Among Women it Means the Tongue and the Mouth. The Clinging Is Fire. It Means Helmets and Weapons. Among Men it Means the Big Bellied.

SOLD

9.13.2008

Arresting Spring—


Click on image for a larger view



6.29.2008

MFA-Interdisciplinary Arts

I've been accepted to Goddard College, Plainfield Vermont to pursue my MFA-IA!
I haven't been a college student in 25 years-yikes!

6.28.2008

Lying is Done With Words. And Also Silence.





Safe Haven of Pike County Poster

ART-Thentic: Art Auction for Safe Haven of Pike County
July 12th at the  Emerson House, Milford PA 
Call 570.296.2827 for details


5.27.2008

A Romance Like Water Running Down a Hill

(legibility: click on image for larger view)

Provisional Anatomy

(legibility:click image for larger view)

3.04.2008

(We Will Not Simply Decide to Hunker Down & Act As If We Aren’t Here) What Will Our Answer Be?

It’s Almost Over and I’m Almost Home and I’m Scared That Maybe a Lucky Shot Will Get Me

There's Not Much Difference Between a Swing and a Swat

Titles from L to R:
She Was a Nice Juicy Girl When She Was Young. When

There are Two Types Of Women in America: Women Who, When They Become Mothers, Breastfeed Their babies; and Women Who, When They Become Mothers, Don't.

Use This Coupon: I Am Sincerely Interested in an Intelligent Method of Attaining Mastership of Life. Send Me without Obligation, Your FREE Book which Explains How I May Receive and use Your Age Old Method.